Commentary: The Wire

The Wire

The Wire in HD (updated with video clips)

This tale begins and ends with a fellow named Bob Colesberry, who taught me as much as he could about filmmaking in the three or four years I was privileged to work with him. To those who knew Bob, it will provoke warm memories to say that he was not a language guy; he understood image, and story, and the delicate way in which those elements should meet. Bob spent a too-short lifetime on film sets, working beside real filmmakers – Scorsese, Bertolucci, Pakula, Levinson, Ang Lee – helping to shepherd the ideas of many great directors and eschewing the limelight altogether for the chance. But, hey, if you don’t believe me about how substantial his resume was, go to imdb right now and trace the arc of his career. That he ended up tethered to some ex-police reporter in Baltimore was pure forbearance on his part; for my part, I can just say I got very lucky. It is no exaggeration that Bob had to explain “crossing the line” to me a dozen times, often twice in the same day...

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On Police/Crime On the Drug War The Wire

Mr. Bealefeld’s Come-To-Jesus Moment

Embedded in a recently published interview of former Baltimore commissioner Fred Bealefeld is an extraordinary utterance — something that would and should be a lot more heralded if America were paying sufficient attention to the growing costs and failings of its drug prohibition: “Professionally,” declares Mr. Bealefeld in a brief interview with the Baltimore Sun Magazine,  “I think our war on drugs has failed…We invested a lot of this country’s blood and resources and didn’t achieve the results. Developing real educational and job opportunities for somebody would have been much more meaningful in neighborhoods than some of the work we built into putting people in jail. That’s why I think it was so misguided. We wound up alienating a lot of folks in building this gigantic jail system in our country.” The former commissioner also credited a strategic de-emphasis of the drug war with enabling his department to focus on violent crime:  “I always...

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The Wire

Wire! The musical…

The Wire: The Musical with Michael Kenneth Williams from Michael Kenneth Williams I woke up this morning to an email from Michael K. Williams, with this video linked  Hilarious.  Just great. Felicia’s turn alone is worth the time.  Ya hair look good, Snoop. Someone hand me a burner and Sondheim’s number. Share this:FacebookTwitterLinkedInRedditEmailPrint

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The Wire Treme

HBO’s TREME vs. THE WIRE Battle of the Bands at Tipitina’s

FOR IMMEDIATE RELEASE—In a coals-to-Newcastle spirit of brave provocation, an East Coast musical contingent associated with the HBO drama The Wire is coming to town – and challenging two of New Orleans’ sturdiest and funkiest ensembles to a Wire-versus-Treme battle of the bands. A charity fundraiser for two key charities in the New Orleans music community, the May 11th event at Tipitina’s Uptown pits Galactic and the Stooges Brass Band against Baltimore’s funk-jazz pioneer Lafayette Gilchrist and Washington D.C. go-go icon Anwan Glover & The Backyard Band. “Who brings music to New Orleans?” said David Simon, producer of both HBO dramas.  “Who comes here and throws down against badass outfits like Galactic or the Stooges?” Originally from Baltimore-D.C. but familiar with the New Orleans music community, Simon insists that the evening could prove epic.  “I tried to warn them about New Orleans, I tried to hold ‘em back.  But Lafayette and Big G won’t be told.  They’re coming. ...

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Drug War The Wire

I meant this, not that. But yeah, I meant it.

An unarmed black teenager was shot to death in Florida recently. You probably read about it or caught the controversy on the tube.  A lot of people are saying that the kid deserved it, that he attacked the fellow with the gun, that he was a thug, that he’d been suspended from school, that he wasn’t so innocent as people think.   Others are saying the gunman is racist, that he’s a self-appointed vigilante, that he had no business trailing the kid, that he’s kind of a nutcase. And day after day, as the case winds toward a trial date, this beast that we have for a modern media culture will parse it  with a few more shards of information and rumor, true and false. Trayvon might have shoplifted the Skittles.  Zimmerman had no visible injuries.  Zimmerman had injuries but they didn’t show on camera. Trayvon smoked pot. It’s what we do. It’s all that we do, really. If we can manufacture a good guy, we can exalt him. If we can manufacture a bad guy, we can degrade him.  If we...

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On Television The Wire

Best Deleted Scene from The Wire Fifth Season

Reprinting with permission, The CityPaper, Baltimore, Sept 19, 2007 We received the below in an e-mail from The Wire co-creator/executive producer/writer David Simon on Labor Day, the Monday after shooting for the show’s fifth and final season concluded the previous Friday. It’s a four-page insert scene the writing staff intimated was coming on the penultimate day of shooting, adding more work to an already packed final production day. According to Simon, rumors of the additional pages started seeping from the production office to the set, instigating some minor grumbling about cramming yet more scenes into a final episode that Simon suggests is already about 50 percent longer than ordinary. But everybody reacted professionally to the schedule changes–assistant directors inquired about what the actors needed, production managers ordered additional film, cast members were told where they needed to be to work on dialogue. And then the pages arrived and as cast and crew...

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