It seems that despite the most temperate reply possible, I’ve been drawn into another absurdist debate about whether The Wire, or Homicide, or perhaps even The Corner is good or bad for Baltimore. This time, the righteous indignation about the tarnish applied to my city’s reputation is from a gentleman named Mike Rowe. A Baltimore native, he is employed elsewhere in this great diaspora of television and he has now assumed the mantle of defender of my city’s reputation.
Archive for category: Television
It had been three years since The Wire stopped airing on HBO, and in Baltimore, a certain settled tolerance for the drama had become the norm. So I was surprised when the current police commissioner asked a question about The Wire at a public forum, vented openly. This was a sleeping dog; let it lie, brother. Instead, the commissioner insisted that we had smeared the city and that the slander would “take decades to overcome.” He said those of us who worked on the drama owed Baltimore an apology.
From The Times-Picayune Sunday, April 11, 2010
Reprinted with permission.
In the first episode of “Treme,” to be broadcast tonight on HBO, a character will reach into her purse and produce an apple-flavored Hubig’s pie. She will do this in late November 2005. With the rest of her dessert menu no longer available, the character, a local chef, will then serve the local delicacy to a patron of her restaurant.
Published in Sports Illustrated
Reprinted with permission.
In their series’ five years on NBC, the producers of Homicide: Life on the Street have used police tape to cordon off fictitious murder scenes on streets and back alleys all over Baltimore. But the show had never tried to stage a crime at the city’s best- known setting: Oriole Park at Camden Yards. The idea that Peter Angelos, the owner of the Baltimore Orioles, and the Maryland Stadium Authority would permit Homicide to portray some grisly murder there, made-for-TV or not, seemed hopelessly far-fetched. But in what producers David Simon and Jim Yoshimura describe as a moment of “pure, unencumbered genius,” they jiggered the plot so that the ballpark brass not only embraced the idea but also happily allowed Orioles pitchers Armando Benitez and Scott Erickson to make cameo appearances. In this season’s second episode, which is to air on Friday, the victim and the killer are both obnoxious men with thick Long Island accents. Each is a New York Yankees fan. “Someone should check the Maryland Annotated Code,” says Detective John Munch, who is played by Richard Belzer. “I’m not sure this is actually a crime in Baltimore.”
One of the happiest memories of my years working on NBC’s Homicide was the meeting with Orioles officials to propose the above storyline.
“A murder? Why would we show a murder at the ballpark?”
“It’s Yankee fan who gets killed.”
“Okay, but still…”
“Another Yankee fan kills him.”
Long pause, smiles in the room. Sold.
From the Huffington Post, March 17, 2008
Reprinted with Permission
Well now, it’s been a week since The Wire‘s final episode and a certain calm has descended, leaving a little less agita and a little more reflection. A moment for one last question:
That wasn’t too vicious, was it?
Sure there was a fabulist and, yeah, he snatched the big prize. Couldn’t resist, sorry. That was a bit beyond the historical reality; at the historical Baltimore Sun, he was a mere Pulitzer finalist. And okay, the city editor, the honorable fellow, the one for whom journalism was an ethos, he got slapped down and thrown to the copy desk. We did that, too, because hey, to criticize such a newsroom culture did indeed carry those risks in Baltimore.