Archive for category: Commentary

Allen Toussaint (1938-2015)

10 Nov
November 10, 2015

I woke this empty morning to the sudden departure of a great and good man.

There will be many better, more comprehensive tributes today from musicians, music lovers and New Orleanians who knew him well, so don’t stop here without going further to celebrate Allen Toussaint’s life.  I met him on only a handful occasions and then only in a professional setting; others can attest to so much more.

But there are a couple of warm anecdotes that I treasure and that ought to be added to the day’s reflections on a gentle, giving soul and one of the finest composers who ever created American music.

I had a few rare opportunities to share time and space with Mr. Toussaint during our four seasons of filming “Treme” in New Orleans, on those occasions when he allowed us to portray his person and his music as part of our fictional, post-Katrina narrative.

Among other things, “Treme” was our attempt to depict the New Orleans music community as organically as we might in a make-believe television version, and to give voice to some of the extraordinary talent and craft of that city’s song.  There could be no attempt at such without Mr. Toussaint engaged.

He understood our intentions and purpose immediately and made himself available not only to honor his own artistic contributions — which are vast and enduring — but those of other artists, for whom he arranged live, on-camera performances and then accompanied with his requisite precision at the piano.  He gave himself over to these moments easily and warmly.  Irma Thomas, Dave Bartholemew, Lloyd Price, Art Neville were all out front on the show with Mr. Toussaint’s backing, and it occurred to me only later that he had given so much care to the performance of others that we had, in the film, more of the man’s music performed by others than by the man himself. I regret that and fault our planning, though Mr. Toussaint, typically, never mentioned it.

Independent of the film, Mr. Toussaint performed a version of “The Greatest Love” as a duet at the now-gone Piety Studios in the Bywater, with Elvis Costello on vocals.  It strikes me now, this morning, as one of the most singular moments of musical performance that I have ever witnessed.  We recorded it for an HBO video release at the time; if I can locate a download, I will post it later today and your breath, too, can be taken from you for some moments.

But for the man’s charm, I can offer three small anecdotes from that same day in the Piety studios.

In the first, I sat behind Mr. Toussaint in the control booth while he rehearsed his hand-picked New Orleans horn section on the lines of “Tears, Tears and More Tears.”  This collective, an all-star revue of the city’s best brass players, also included one Wendell Pierce, who was, as a “Treme” actor, pretending to be a part of that august group.  Mr. Pierce, who had been trying to learn some of the trombone he was pretending to play, had it in mind to contribute in some small, personal way to the musical moment.

Quietly, he slipped off the bone’s blocked mouthpiece and put in the real one, and then, as Mr. Toussaint talked about unrelated matters with Mr. Costello, scarcely paying attention to the rehearsal, Mr. Pierce attempted to add a few notes to the arrangement.

Mr. Toussaint wheeled.

“What was that?” he inquired, hitting the control room button.

The horn men stopped.  All of them knew, but none of them felt an immediate need to give up the imposter, so Mr. Toussaint asked each to play his line individually, nodding softly at the notes.  And then, finally:

“Wendell?  Did you play something?”

“I, um, I might have let a few notes go.”

“Wendell,” said Mr. Toussaint quietly, with the trace of a smile.  “Please don’t.”

And later that evening, there came an even more wonderful moment when our film director, Jim McKay, attempted to call action to a scene not merely by rolling speed on sound and calling camera and action, but by actually — I kid you not — attempting to count down Mr. Toussaint’s band, as if he were Lawrence Welk coming out of a commercial break:  “And-ah-one, and-ah-two, and-ah…”

The musicians stared at him blankly, fixed and immobile.

Quietly, at the piano, Mr. Toussaint gave a small cough to break the stillness.

“Sorry about that,” Mr. Toussaint said.  “Some sheep only follow one shepherd.”

After which, he kicked them off.

I have another memory  of that special day, which involves Mr. Toussaint noodling at the piano in a lighting delay — a tune very much unfamiliar to me, but not to my wife, who though no student of New Orleans rhythm & blues is nonetheless a maven when it comes to Broadway musicals.

“Excuse me, Mr. Toussaint,” she said gently, as if she barely had standing to inquire.  “But is that the overture to Brigadoon?”

He lit up.

“Why yes, young lady, it most certainly is.”

And he played it for her proudly.  Later, there was a moment when we were listening to playback of a scene and Mr. Toussaint sat next to Laura on a bench, taking in the music, nodding his head thoughtfully.  And then, as the song concluded, he reached a long, graceful arm above his head and played a single note on a toy piano that was on a shelf above him.  He did so without looking, with one finger expertly poised.

It was the right note.  In the right instant.   Tink.

Then he lowered his arm and looked at my wife slyly and she fell promptly in love.

No worries, Laura.  I did, too.

 

 

allen-toussaint-6

Some brief correspondence regarding the Chicago Cubs

22 Oct
October 22, 2015

Email from James Yoshimura, because he is A Northsider, at October 21, 2015, 6:09 pm:

“Sisyphus ain’t got shit on me!  Go Cubs, Yosh.”

Email from David Simon, because he is A Giver, at October 21, 2015, 6:17 pm:

“All America is with you.  Except for about 80 million of the assholes.”

Email from James Yoshimura, still A Northsider, at October 22, 2015, 9:22 a.m.

“All of America can go fuck itself. And if it’s looking for Sisyphus, the
prick’s drinking with me and will until next spring training.”

God help Yosh and all the others laboring in the deep bowels of their dark, forbidding mine.  The Cubbies are relentless.  They are an anvil, with another anvil tied to them for weight.  God help you good people.

 

Probably smarter, possibly funnier.

11 Sep
September 11, 2015

A letter to the editor that ran in The Washington Post Magazine last Sunday in reply to a profile of me that said I resembled Homer Simpson’s smarter brother:

 
The Washington Post Magazine
Letters to the editor
David Simon’s older brother takes umbrage at a description in our story:
I read with great interest your piece about David Simon, my little brother. I am 14 years older than David, and I am intensely proud of him. However, I must take great umbrage at the statement that “Simon … looks from some angles like Homer Simpson’s much smarter brother.”  First the implication is that I am Homer Simpson and second, that David is smarter than me. You will be hearing from my attorneys.
Gary L. Simon, medical professor, GWU

 

In a Jewish family, the doctor is always the smarter child.  The TV writer is supposed to advance the funny.  And presently, I find myself routed on both flanks at once.

A good day to be an American

26 Jun
June 26, 2015

Marriage equality and foam in the corner of Scalia’s mouth. Amazing Grace and presidential duende.  And all amid the afterglow of a decision that affirms a successful government initiative that helps millions as claimed.

So, this is what a first-rate country feels like.

 

 

 

 

 

 

Father’s Day Redux: Pickles & Cream

21 Jun
June 21, 2015

A repost in honor of Father’s Day and the redoubtable Bernard Simon, gone these five years but I feel as if I am talking to him still.  This was published in Lucky Peach #4 and while it is food writing, per se, it comes around to my father soon enough.  Yeah, I back into it.  But Dad, I miss you.

 

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I want to embrace the best of the kitchen.

But if DNA is destiny, and genetics holds any sway at all over the human palate, then I have much—probably too much—to overcome.

The Simons come from peasant stock, and by that I don’t mean the countryside of Alsace or Tuscany or any other place where cuisine makes the days true and beautiful, where gardens and orchards and farms and village butchers conspire for a cuisine both purposeful and ingeniously simple. We are not the progeny of any agrarian ideal worthy of Impressionist paintings.

No, my father’s people were kicked-to-the-ground-by-Cossacks peasants, wandering Pale of Settlement Yids who lived with one or two bags always packed and spent the early moments of the last century running ahead of whatever Jew-hating militia was on whichever side of the Polish-Russian border. Like fodder for an Isaac Babel story, we hauled ass from pogrom to pogrom, dragging our huddled mass west until a sign said NEW JERSEY.
My mother’s people ran, too, first from the Hungarian countryside to Budapest, where my grandfather changed his name from Leibowitz to Ligety, stealing the latter from an Austro-Hungarian family of some repute, hoping to blend. Didn’t work, though—a Jew by any other name. So Armin Ligeti—the extra i was acquired at Ellis Island amid a rush of incoming Italian stock—kept running until he felt a bit more welcome in Williamsburg, and later, in the Bronx.

The story ends—and begins—with one grandfather a salesman for Breakstone Brothers Dairy, slinging butter and cream to mom-and-pop stores all over New York, and the other ensconced behind the counter of just such a store in Jersey City, selling pickles out of a barrel and borscht out of the jar.

Both households kept kosher. They had one foot on a new shore, but still trusted in the world of their fathers. They raised children amid a Great Depression, teaching them the value of a dollar and the notion that when it came to food, there could be nothing new or clever under the sun. This sensibility endured well into my youth.

“Your mother makes better,” was a credo of my childhood. We dined out infrequently and only on special occasions. There was a favorite Chinese dump. There was an Italian joint where we gathered once or twice a year. And then, when someone graduated or relatives came to town, there would be a rare pilgrimage to some grander palace of white tablecloths and wineglasses, with mine always promptly removed. Experimentation was at a minimum, so much so that once, when I was eight years old, I tried and failed to order raw oysters at a downtown restaurant. The Blue Points. A half dozen, please.

“Davy, they’re raw.”

“I know.”

“That means they’re not cooked.”

“Right.”

My father frowned. Who eats oysters? Who eats anything uncooked? Who goes to Duke Zeibert’s downtown, even on a special occasion, and pays these prices for food that no one even bothers to put on a stove? What mishegas.

My mother turned to reinstruct the waiter.

“He’ll have a shrimp cocktail.”

It wasn’t that we kept kosher—that wall had crumbled twenty years earlier, when my older brother, a notoriously reluctant eater, was treated to bacon by neighbors in a Brooklyn apartment house. As a two-year-old, Gary Simon took to craving pig as he craved no other sustenance, and finally he began putting on weight. Every dietary law in Leviticus was henceforth repealed.

But as a household, we were residually kosher. Shellfish was suspect, and aside from morning bacon, pork was never on the menu. More than that, exotic dishes—new cuisines, new ideas about food—were problematic if they took more than a half-step away from the known and fixed. My mother was an excellent cook, but almost all of what she served would have been recognizable and acceptable to her parents, if not her parents’ parents. Brisket, roast chicken, chopped liver, chicken soup: food was good and plentiful; it was not a mutlticultural adventure.

By the time I was born, my parents had moved to Maryland and the shores of that great protein factory, the Chesapeake Bay. Yet I did not taste a raw oyster until I was thirteen, or a raw clam until a year later. And, in my fifteenth year, I finally sat down with a knife and mallet and began breaking apart a dozen steamed blue crabs—and only then because my sister had taken a waitressing job in an area crab-house.

When I was in college, my parents offered to take me out to dinner one weekend. I chose a French bistro and ordered a plate of sweetbreads.

“Davy, do you know what sweetbreads are?”

“Sweet bread,” I deadpanned. “Something like a cinnamon roll, right?”

And my mother, not seeing tongue lumped in cheek, turned again to the waiter to rescue her youngest unschooled child from imminent and avoidable disaster.

* * *

My father was all about salt, which is to say, he ate Jewish.

Matjes herring was better then Bismarck, but both were preferable to herring in any kind of cream sauce. The very idea of cutting the salted, pickled-­without-pity taste with anything vaguely neutral or sweet was the mark of the apostate. To my father’s reckoning, a Jew caught dipping a piece of herring in cream might as well just slather mayo on fish sticks and crawl to the nearest baptismal font.

Pastrami, with the fattiest parts untrimmed, was lean corned beef perfected. The trick to great borscht? Salt that sucker down. The trick to great shav? Well, salt helps, but there is no such thing as great shav. A hot dog was a hot dog with brown mustard and boiled kraut. When my brother married a Wisconsin girl and brought her back to the family preserve, she punched a hole in the known universe by attempting to dress a Hebrew National dog with ketchup.

My father dryly threatened to notify the rabbinate and there was talk of a bet din, a religious court of inquiry. Spinoza, my father explained, had been excommunicated for less, merely because he greeted the Enlightenment by questioning the very idea of the Hebrews as Chosen.

“This is worse,” said Bernard Simon, intimating that absent an immediate repentance, a Biblical stoning might be regrettable but necessary.

In 1977, my father was downtown, working at the B’nai B’rith Headquarters in Washington. Armed members of a local Muslim sect, a breakaway from the Nation of Islam, seized the building along with other DC locations. As the day dragged on, a nearby Hilton hotel prepared sandwiches, which were brought in to feed the hostages. Sitting on the floor with nearly a hundred others, with a half-dozen armed men hovering, my father unwrapped the cellophane from a corned-beef sandwich to find that it was on white bread, and sullied even further by a schmear of glistening white mayonnaise. He turned to a coworker and said—and this is not mot d’escalier on my part, this is an actual quote:

“Sid, they’re trying to kill us.”

To my father’s tastes, cuisine was sodium and chloride and only one possible permutation of those elements. It was belly lox before nova. And if the Parkway deli down the block had lox wings—the fatty part of the salmon near the fin that somehow retained even more salt than the sliced stuff ever could—well, pick up a half dozen of those and we can nosh. No bagel. No cream cheese. No tomato. Why trifle with such blandishments? Just bear down on strips of heavily salted, fat-greased fish on a plate. Maybe some seltzer to wash it down.

This was my birthright, my inheritance.

In the summer months, my mother—having some sense of food groups in which brine did not feature—would often start a meal with fresh berries and cream. Not crème fraîche, mind you—that stuff was for Presbyterians. No, the berries were made to swim upstream in a fat dollop of Breakstone sour cream—my maternal grandfather asserting himself from beyond the grave. But in whatever total war was being waged against the sweeter side of my father’s tastebuds, even this concoction was too close to some sort of salt-neutral Switzerland.

As a countermove, my father invented his own appetizer. He went into the kitchen, pulled out a sharp knife and a jar of Ba-Tampte brand (“tasty” in Yiddish) half-sour kosher pickles. He chopped two pickles into small cubes, and then mixed them with sour cream: Jewish tzatziki. Except more bitter, and more better to his way of thinking.

(Before proceeding further with this tale, I have to pause to remark on the fact of my father entering a kitchen anywhere, grabbing a sharp implement and a food item, then rendering that item into a different form, mixing that element with a second substance, and serving it. It’s impossible for me to convey the singularity of this event, except to reference another childhood memory, one in which my mother went to New York to visit her mother and sisters for a week. I was subsequently taken to the Parkway Deli for seventeen successive meals.)

When I first sat at a dinner table and peered over my summer berries to see my father’s bowl of dissent, I could only respect the depths. I thought I had seen the besalted Hebrew cuisine in all possible forms. What, I asked my mother, is that called?

Pickles and cream.

As a ten-year-old in the suburban Washington of 1970, the phrase “what the fuck” was not entirely unknown to me. But somehow I managed to suppress my initial reaction.

“Dad, you’re gonna eat that?”

“It’s good. Try some.”

I picked up a spoon.

Cornichons et crème. À la Chef Bernard.

* * *

I found the wider world, or perhaps, the world found me.

And now, at fifty-one, I’ve been to Georgia on a fast train, as they say. Been to New York, Paris, London, Capetown, San Francisco, Napa, New Orleans. There have been meals, oh yes, there have been some meals.

The Bristol in Paris. Le Bernardin. The French Laundry. The River Café in Hammersmith. The Ivy in Soho. Momofuku. Gotham Grill. Tasting menus from Dufresne or Mina or Colicchio, omakases from New York sushi lords and Los Angeles sushi nazis and Nobus upon Nobus upon Nobus Next Door, wherever they are to be found.

And, too, I’ve had time enough to hunt down perfection without pretense, on back roads and back streets. A slice of Di Fara’s. A T-bone and tamales at Doe’s in Greenville. A burnt-end sandwich at Arthur Bryant’s. Pork ribs at Smitty’s in Lockhart, Texas. Fresh, soft tacos from La Super-Rica in Santa Barbara. Malva pudding at that joint on the road south of Capetown. Brisket from that no-name shack in Georgiana, Alabama. In New Orleans, I’ve tasted the chicken à la grande at Mosca’s four times in a single life. In Baltimore, I’ve stood at the Faidley’s bar with a crabcake platter at least twice a year for my entire adulthood. And thanks to this Bourdain fella, I’ve wandered a campground in Opelousas, Louisiana, and watched an entire living pig transformed into serving sizes, tasting all and loving all.

I don’t claim to know a damn thing about food—about why a dish works or why it doesn’t, about ingredients or seasonal menus or wine pairings. My credentials are akin to someone who likes to drive a beautiful car at high speeds but sees no point in opening the hood and looking inside. I know when something new explodes in my mouth and messes with my brain; I have no clue how it comes to be, and my incuriosity when it comes to the world of the kitchen is, at this point, just embarrassing.

But I do love a new taste, a new experience. I know what I don’t know and yet am content to put just about anything in my mouth on even a little bit of say-so. My father, as you can imagine, found this appalling.

First of all, some of the stuff I ate didn’t have enough salt. And some of it was from countries whose cuisine was unknown and uncertain in say, 1955, when the invention of food was largely complete and fixed. And, too, some of it was ridiculously expensive.

My father was a generous man, a liberal, charitable man. But he also knew what he knew, and he knew the value of a dollar. Walking my father into Le Bernardin or Nobu would have produced apoplexy. Money was only money to my father; he would not begrudge anyone their pleasures, their luxuries, their extra expenses. He hoarded hardback books, for example. Cheaper paperbacks brought him no pleasure at all. A book was worth whatever anyone asked for it. But food? How good, how unique could anything worth eating really be? For my father, a child of the Great Depression, high-end cuisine was all pomp and presentation, and, he feared, a great scam perpetrated on a public easily impressed and hungry for status.

I remember the first and last time Bernard Simon tasted sushi—a cuisine that should have appealed to a man who had embraced fish and salt as an essential combination for life.

“People pay for this?”

Or the time my LA agent took us out for brunch at Barney’s on Wilshire, where my father ordered lox and eggs, a deli staple. Alas, it came with crème fraîche and Osetra caviar and was priced accordingly.

“Your mother makes better.”

And the idea of journeying to find the perfect fried-oyster po’ boy or the perfect pizza slice? The miles-to-go-before-we-sleep hunt for the barbecue place that has no name, no phone? The whispered rumor of a food truck that’s killing it according to Chowhound?

To my father, the world had lost all sense.

In New Orleans with my parents, I once tried to drive out of the city, west to Houma, Louisiana and a little shack named A-Bear’s, a place said to be serving a fried-catfish sandwich that made even full-blooded Cajuns weep with gratitude.

“Dottie,” he grumbled to my mother, as we rolled down I-10 and the city skyline receded. “Don’t ever tell anyone we went to Houma, Louisiana to eat catfish for lunch.”

When I told him that catfish might actually be dinner, that we might first stop for lunch in Thibodeaux for boiled crawfish, he began to panic. He knew there was no hope of a delicatessen in such a wilderness. Reaching for his wallet, he pulled out a coupon for a run-of-the-mill Italian joint in downtown New Orleans, a place where, if he had to eat Italian, he could at least order his preferred dish: veal parmesan, without the cheese.

“You’ll get a good meal here,” he said, waving the coupon.

“Dad, did you ever eat there?”

“No, but I got a coupon. And Italian is Italian.”

He died two years ago. Toward the end, he was invalided and his world was limited to the meals my mother brought him at bedside. Tellingly, as he began to fail, he lost his taste for salt, for delicatessen, for all the heart-stopping glory of pastrami or lox wings or knockwurst and kraut. The bypass surgery years earlier certainly provoked some of the moderation, but something else was at play. In the end, he was eating less and less, and most of it very simple, very basic, very bland. He developed a sweet tooth, of all things. Ice cream became one of his few remaining favorites. Regardless, and to the very end, if my mother made it, it was better.

* * *

Two weeks ago, I found myself exhausted after a long day on a film set. My family was back home in Baltimore, and the house was empty. I’d been eating late meals all over New Orleans, and of course, as anyone familiar with Crescent-City cuisine is aware, a string of late New Orleans meals will kill a man dead.

Anything worth doing is worth overdoing down here, and the only way to survive the local fare, good as it is, is to retreat now and again to one’s own kitchen. A salad here, a broiled piece of chicken there, and maybe, just maybe, you come off a 120-day film shoot with a body weight that is moderately less than planetary. So I drove to Breaux Mart, the neighborhood grocery, just before it closed.

And there, in the deli section, I glimpsed a jar of kosher half-sours. Not Ba-Tampte, but close enough. In the dairy section, I found Breakstone sour cream. And late that night, alone in the City That Care Forgot, I sat down and ate something that my father, a man who knew what he knew, had invented.

The first spoonful threw me back to childhood, a Proustian moment of remembrance and joy and, yes, sudden grief. I sat there eating and crying, finally admitting to myself that, for all the great chefs and magnificent dishes and wondrous journeys toward a finer and newer meal, this was, for me, utterly perfect.

I had seconds.

* * *

EthanBernie

 

My father holding my son, Ethan.  1995.